2025 Upper Deck James Bond: No Time To Die — Portraits P-26 — Ana de Armas as Paloma
2025
A scarce Portraits insert from Upper Deck's 2025 James Bond: No Time To Die trading-card set, depicting Ana de Armas as Paloma. The reverse identifies card P-26 and narrates Bond's first meeting with Paloma in Santiago de Cuba.
Read the catalogue note →- Subject
- Ana de Armas as Paloma
- Character / role
- Paloma
- Set
- 2025 Upper Deck James Bond: No Time To Die
- Manufacturer
- Upper Deck
- Card code
- P-26
- Card type
- Portraits insert
- Condition
- Near Mint appearance, ungraded.
- Completeness
- Complete as a single trading card; front and reverse both photographed. No packaging or separate premium is evidenced as integral to this individual card.
Catalogue note
A scarce Portraits insert from Upper Deck's 2025 James Bond: No Time To Die trading-card set, depicting Ana de Armas as Paloma. The reverse identifies card P-26 and narrates Bond's first meeting with Paloma in Santiago de Cuba. Upper Deck's official checklist documents the Portraits subset at 1:360 hobby packs and 1:360 e-Pack packs, making the pack odds—not the absence of a serial number—the relevant scarcity evidence.
Scarcity: The card is not serial-numbered, but Upper Deck's official 1:360 insertion odds are direct scarcity evidence. Serial numbering is not treated as a superior rarity signal by itself.
Why this object matters
Paloma Portraits P-26 records a different encounter from P-2 and remains a distinct strong object. Its shared format and insertion basis support equal calibration, without treating absent numbering as a defect.
Evidence limits: No new physical inspection or collation was performed. Copy-specific conclusions remain limited to the retained catalogue and accession evidence.
Score and assessment method
Archive Importance: 8.3 / 10.
This is a curatorial judgement, not a measurement accurate to one tenth or a market valuation. Read the explanation and its evidence limits together.
How Archive Importance is assessed →Use this record
Cite this object
Include the date you accessed this record when citing it.
Explore further
Connections use the catalogue’s named people, organisations and themes.