THE MATERIAL
RECORD
Destiny — Jenkins Lane
TMR-000780Club Culture & Ephemera
Club Culture & Ephemera ·

Destiny — Jenkins Lane

Jenkins Lane, Barking · 10 October 1992 · Grooverider / Simon Bassline Smith / Easygroove

10 October 1992 · 9pm all night · ★ Gold Star object

Double-sided flyer for Destiny at Jenkins Lane, Barking, 10 October 1992. The front uses a dramatically colour-separated multi-armed figure and floating spheres; the reverse promises to bring Jenkins Lane back to its earlier rave atmosphere, criticising increasingly ‘stereo-typed’ events and advertising elaborate sound, laser and visual production.

Read the catalogue note →
Event
Destiny
Venue
Jenkins Lane, Barking
Condition
Good to Very Good appearance, ungraded. Light edge/corner wear, minor handling creases and surface marks. Lower edge slight waviness/creasing; reverse small lower-right edge crease. Printing vivid and legible.
Completeness
Complete double-sided flyer as photographed. Both faces supplied; no separate component evidenced.
Event relationship
Destiny — Jenkins Lane
Venue relationship
Browse Jenkins Lane, Barking objects

Why this object matters →

Object record · TMR-000780

Catalogue note

Double-sided flyer for Destiny at Jenkins Lane, Barking, 10 October 1992. The front uses a dramatically colour-separated multi-armed figure and floating spheres; the reverse promises to bring Jenkins Lane back to its earlier rave atmosphere, criticising increasingly ‘stereo-typed’ events and advertising elaborate sound, laser and visual production. Lineup includes Grooverider, Simon Bassline Smith, Easygroove, Jumping Jack Frost, Ellis Dee and Nicky Black Market.

Advertised programme: Selected significant billed performers: Grooverider, Simon (Bassline) Smith, Easygroove, Jumping Jack Frost, Ellis Dee and Nicky Black Market. John Douglin is credited for airbrush work. These relationships follow the retained reverse-image evidence; billing does not establish actual performance. The remaining printed credits, including Clifford, DD/Hitek Graphics and Lou/Smiley Face, remain in the accession evidence without inferring fuller identities.

Historical context: Contemporary Ravescene listings independently place Destiny at Jenkins Lane, Barking, on 10 October 1992. The flyer itself says Destiny intended to bring Jenkins Lane ‘back and beyond its former days of raves’ and criticises raves becoming ‘stereo-typed’. This is recorded as the promoter’s contemporary claim.

Condition note: Age-appropriate handling wear; no major tears/losses. No restoration inferred.

Through the flyers

Explore the club-culture timeline to follow advertised dates, places and billed performers across the held flyers.

Event details are drawn from the held object and the qualified catalogue research above. A printed bill establishes an advertised booking, not confirmation that a performer appeared.

Why this object matters

Gold Star. Documents a major east-London rave site at the height of the 1992 hardcore/rave transition, with an exceptional lineup and unusually explicit promoter commentary about how rave culture had changed over the previous two years. The reverse is contemporary scene testimony as well as advertising. Strong graphic design and relationships to TMR’s early-1990s rave holdings add institutional value.

Historical context

Contemporary Ravescene listings independently place Destiny at Jenkins Lane, Barking, on 10 October 1992. The flyer itself says Destiny intended to bring Jenkins Lane ‘back and beyond its former days of raves’ and criticises raves becoming ‘stereo-typed’. This is recorded as the promoter’s contemporary claim.

Score and assessment method

Archive Importance: 9.3 / 10 · Gold Star.

This is a curatorial judgement, not a measurement accurate to one tenth or a market valuation. Read the explanation and its evidence limits together.

How Archive Importance is assessed →

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