THE MATERIAL
RECORD
Physical Media → Kitsuné Music / Kitsuné France
TMR-000716Physical media object

Klaxons — Atlantis to Interzone

Kitsuné Music 039 · 2006 four-track 12-inch · Nightmoves / Digitalism / Dave P & Adam Sparkles remixes

2006 · exact Kitsuné 12-inch release date not consistently documented

Original 2006 Kitsuné 12-inch edition of Klaxons' 'Atlantis to Interzone', catalogue KITSUNE039, coupling the original with Nightmoves, Digitalism and Dave P / Adam Sparkles remixes. The song had already appeared as a Merok 7-inch earlier in 2006, so this is not its first release; its archival interest lies instead in the way Kitsuné recast one of the defining early Klaxons tracks as a club-format object. The release sits at the exact crossover point between British indie, rave revivalism and continental electro that contemporary press grouped under the disputed 'new rave' label, while the all-over illustrated Kitsuné sleeve makes the record equally legible as part of the label's music-and-design culture.

Read the catalogue note →
Catalogue number
Kitsuné music 039 / KITSUNE039
Country
France / European Kitsuné issue; sleeve credits Kitsuné France, while some UK specialist dealers catalogue the release as UK
Publisher / label
Kitsuné Music / Kitsuné France
Format
12-inch black vinyl · four-track single/remix release · illustrated picture sleeve
Discs
1
Recorded sides
2
Condition
Very Good+ sleeve / Very Good to Very Good+ visual vinyl appearance — ungraded and not playback-tested.
Completeness
One black 12-inch vinyl record and the original illustrated Kitsuné picture sleeve are present. Both record labels and both sleeve faces are photographed. No separate insert is evidenced; the presence or originality of any plain inner sleeve has not been established.

Why this object matters →

Object record

Catalogue note

Original 2006 Kitsuné 12-inch edition of Klaxons' 'Atlantis to Interzone', catalogue KITSUNE039, coupling the original with Nightmoves, Digitalism and Dave P / Adam Sparkles remixes. The song had already appeared as a Merok 7-inch earlier in 2006, so this is not its first release; its archival interest lies instead in the way Kitsuné recast one of the defining early Klaxons tracks as a club-format object. The release sits at the exact crossover point between British indie, rave revivalism and continental electro that contemporary press grouped under the disputed 'new rave' label, while the all-over illustrated Kitsuné sleeve makes the record equally legible as part of the label's music-and-design culture.

Edition details

Original 2006 Kitsuné 12-inch remix edition, catalogue 039, barcode 3661311001017. Original version produced and mixed by Ant “Bonkers” Chapman and Klaxons. Digitalism credited for remix and additional production on B1. This is not the song's first physical issue: the earlier Merok 7-inch appeared in June 2006.

Condition note

Sleeve shows light corner/edge and handling wear but remains clean and structurally sound in the supplied photographs. Vinyl shows visible light hairlines/scuffs and dust under strong reflected light; no obvious deep gouge is visible. Playback has not been tested, so no audio grade is claimed.

Audio

A1 Atlantis to Interzone (Original); A2 Atlantis to Interzone (Nightmoves Remix); B1 Atlantis to Interzone (Digitalism's Klix Klax R-R-Remix); B2 Atlantis to Interzone (Dave P and Adam Sparkles' Festival Remix Extended Break)

Attribution / research note

The physical sleeve credits the original version as produced and mixed by Ant “Bonkers” Chapman and Klaxons; all tracks are credited as written by Klaxons. B1 credits Digitalism for remix and additional production. Nightmoves and Dave P / Adam Sparkles are printed as the other remixers. TMR links Digitalism as a securely identified related organisation; the remaining remix credits are retained exactly without unnecessary authority creation.

Why this object matters

Score and assessment method

Archive Importance: 8.8 / 10.

This is a curatorial judgement, not a measurement accurate to one tenth or a market valuation. Read the explanation and its evidence limits together.

How Archive Importance is assessed →

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