THE MATERIAL
RECORD
Peace Fest 93
TMR-000592Club Culture & Ephemera
Club Culture & Ephemera · Dance Festival Promotions / Peace Fest

Peace Fest 93

Dance Festival Promotions · Easter Sunday · Astoria interlinked to Buzby's · Junior Tomlin unity artwork · four-arena music festival

11 April 1993 (specialist-supported exact day) · 9pm–10am · ★ Gold Star object

Original double-sided Peace Fest 93 rave flyer for Dance Festival Promotions' Easter Sunday event at the Astoria interlinked to Buzby's, London, specialist-supported as 11 April 1993. Junior Tomlin's signed front artwork combines a split black/white male face with the slogan Peace Love Unity Dance, while the reverse documents a 13-hour, four-arena programme spanning hardcore, jungle, techno, trance, deep house/bumpin garage and rare groove/funk.

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Event
Peace Fest 93 — Easter Sunday Bank Holiday
Promoter
Dance Festival Promotions
Venue
The Astoria interlinked to Buzby's
Location
157 Charing Cross Road, London WC1
Advertised hours
9pm–10am, advertised as a 13-hour music festival.
Original admission / price
£15 plus booking fee.
Designer
Junior Tomlin
Format
Double-sided portrait flyer; A4 format is supported by exact-market listings but has not been physically measured by TMR.
Orientation
Portrait
Original / reproduction
High-confidence original event-period promotional flyer. No print run or surviving-copy count is claimed.
Edition / variant
Peace Fest 93 Astoria/Buzby's double-sided flyer with Junior Tomlin split black/white male unity portrait front and full programme/ticket-outlet reverse.
Condition
Very Good appearance from supplied front and reverse photographs; ungraded.
Completeness
Complete as the photographed standalone double-sided promotional flyer. Front artwork and reverse programme/ticket information are present; no separate ticket or insert is assumed to be an originally attached component.
Absolute rarity
No verified print run or survival count. Exact examples are documented in an institutional collection and in specialist/market listings.
Event relationship
Peace Fest 93 · 1993-04-11
Venue relationship
Browse The Astoria interlinked to Buzby's objects

Why this object matters →

Object record · TMR-000592

Catalogue note

Original double-sided Peace Fest 93 rave flyer for Dance Festival Promotions' Easter Sunday event at the Astoria interlinked to Buzby's, London, specialist-supported as 11 April 1993. Junior Tomlin's signed front artwork combines a split black/white male face with the slogan Peace Love Unity Dance, while the reverse documents a 13-hour, four-arena programme spanning hardcore, jungle, techno, trance, deep house/bumpin garage and rare groove/funk. The object is especially strong as material evidence of early-1990s genre language, cross-scene programming, rave production infrastructure and anti-division visual rhetoric. Northwestern University preserves an exact Peace Fest 93 item in its British Rave Flyers Collection.

Advertised programme: Upstairs (Techno): Colin Dale; Loft Groover; Frankie Valentine; Dominic; Brenda Russell; Grant Harper; Trevor Rockliffe; Daz Saund. Main Arena (Hardcore): Slipmatt; Carl Cox; Grooverider; DJ Vibes; The Ratpack; Donovan (Bad Boy) Smith; Food Junky; Dream Dance; Billy Bunter. Buzby's Upstairs Rare Groove/Funk: Rodney T; Shaff; Kunle-D; Choice. Buzby's Main Room Garage Groove: CJ Mackintosh; Justin Berkman; Matt (Jam) Lamont; Linden-C; Marie. MC credits visible as MCMC and Chalky White.

Graphic-design significance: Strong Junior Tomlin example: a split black/white male face under the slogan Peace Love Unity Dance, with marine imagery and saturated airbrushed colour. Tomlin later discussed Peace Fest half-black/half-white faces as imagery about unity and bringing different people together.

Historical context: The flyer documents Peace Fest 93 at the Astoria/Buzby's on Easter Sunday 1993; specialist contemporary/event sources identify the day as 11 April. Its reverse advertises four genre-specific arenas and claims a tunnel would interlink the venues; those superlative/technical claims are preserved as promotional language rather than independently verified facts.

Production note: Not established from supplied photographs.

Condition note: Visible historic quarter-folding with strong horizontal and vertical fold lines; corner and edge creasing/wear, especially at the upper corners and lower edges; scattered small surface abrasions/marks. Colour remains strong and the printed information is substantially legible.

Confidence / uncertainty: The flyer identifies Easter Sunday 1993; 11 April is the corresponding date supported by specialist event documentation.

Through the flyers

Explore the club-culture timeline to follow advertised dates, places and billed performers across the held flyers.

Further sources

Event details are drawn from the held object and the qualified catalogue research above. A printed bill establishes an advertised booking, not confirmation that a performer appeared.

Why this object matters

The Peace Fest unity image has an unusually strong exact-artwork case: Tomlin himself discussed the split black/white face as an expression of unity. Combined with the four-arena genre map, this sustains very high Gold; it remains distinguishable from a unique original artwork or foundational recording.

Evidence limits: The flyer identifies Easter Sunday 1993; 11 April is the corresponding date supported by specialist event documentation. Complete as the photographed standalone double-sided promotional flyer. Front artwork and reverse programme/ticket information are present; no separate ticket or insert is assumed to be an originally attached component.

Historical context

The flyer documents Peace Fest 93 at the Astoria/Buzby's on Easter Sunday 1993; specialist contemporary/event sources identify the day as 11 April. Its reverse advertises four genre-specific arenas and claims a tunnel would interlink the venues; those superlative/technical claims are preserved as promotional language rather than independently verified facts.

Score and assessment method

Archive Importance: 9.5 / 10 · Gold Star.

This is a curatorial judgement, not a measurement accurate to one tenth or a market valuation. Read the explanation and its evidence limits together.

How Archive Importance is assessed →

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Recorded contributions · 3
  • Junior TomlinDesignCatalogue credit

    Design credit: Junior Tomlin Original catalogue credit

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  • Carl CoxPerformerCatalogue credit

    Performer credit: Upstairs (Techno): Colin Dale; Loft Groover; Frankie Valentine; Dominic; Brenda Russell; Grant Harper; Trevor Rockliffe; Daz Saund. Main Arena (Hardcore): Slipmatt; Carl Cox; Grooverider; DJ Vibes; The Ratpack; Donovan (Bad Boy) Smith; Food Junky; Dream Dance; Billy Bunter. Buzby's Upstairs Rare Groove/Funk: Rodney T; Shaff; Kunle-D; Choice. Buzby's Main Room Garage Groove: CJ Mackintosh; Justin Berkman; Matt (Jam) Lamont; Linden-C; Marie. MC credits visible as MCMC and Chalky White. Original catalogue credit

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  • GrooveriderPerformerCatalogue credit

    Performer credit: Upstairs (Techno): Colin Dale; Loft Groover; Frankie Valentine; Dominic; Brenda Russell; Grant Harper; Trevor Rockliffe; Daz Saund. Main Arena (Hardcore): Slipmatt; Carl Cox; Grooverider; DJ Vibes; The Ratpack; Donovan (Bad Boy) Smith; Food Junky; Dream Dance; Billy Bunter. Buzby's Upstairs Rare Groove/Funk: Rodney T; Shaff; Kunle-D; Choice. Buzby's Main Room Garage Groove: CJ Mackintosh; Justin Berkman; Matt (Jam) Lamont; Linden-C; Marie. MC credits visible as MCMC and Chalky White. Original catalogue credit

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