Kinky Disco — February / March 1992 Programme
24 Shaftesbury Avenue, London W1 · Sasha / Andrew Weatherall / Alfredo / Justin Robertson · seven Friday programmes
7 February–20 March 1992 · Fridays · 10:30pm–6am (high-confidence attribution) · ★ Gold Star object
Original Kinky Disco programme flyer for seven consecutive Friday nights at 24 Shaftesbury Avenue, London W1, attributed at high confidence to 7 February–20 March 1992. The programme features Sasha, Andrew Weatherall, Alfredo, Justin Robertson and others, with Rosco & Eren named as main-room regulars and Seb Fontaine / Tommy D in the back room. The hand-drawn pin-up front is signed 'LISA G'.
Read the catalogue note →- Event
- Kinky Disco — February / March Programme
- Promoter
- Kinky Disco
- Venue
- 24 Shaftesbury Avenue, London W1; specialist club-history sources identify the venue as Shaftesbury's
- Location
- 24 Shaftesbury Avenue, London W1
- Advertised hours
- Every Friday · 10:30pm–6am
- Original admission / price
- £8 from 10:30pm–12; £10 from 12–3am; £5 from 3–4:30am
- Designer
- Front artwork signed 'LISA G' (full identity unresolved)
- Format
- Double-sided portrait club programme flyer
- Orientation
- Portrait
- Original / reproduction
- Original-period early-1990s Kinky Disco programme attribution based on the period date sequence, address, artists, physical condition and independent 1992 club references.
- Edition / variant
- February–March seven-Friday programme with hand-drawn Kinky Disco pin-up / rose artwork front and dark-blue programme reverse.
- Condition
- Good appearance, ungraded; visible age toning/foxing, edge wear and handling, with a pronounced vertical reverse crease; complete and fully legible.
- Completeness
- Complete double-sided seven-week programme flyer as photographed.
- Event relationship
- Kinky Disco · 1992-02-07
- Event relationship
- Kinky Valentines Ball · 1992-02-14
- Event relationship
- Kinky Disco · 1992-02-21
- Event relationship
- Kinky Disco · 1992-02-28
- Event relationship
- Kinky Disco · 1992-03-06
- Event relationship
- Kinky Disco · 1992-03-13
- Event relationship
- Kinky Disco · 1992-03-20
- Venue relationship
- Browse 24 Shaftesbury Avenue, London W1; specialist club-history sources identify the venue as Shaftesbury's objects
Catalogue note
Original Kinky Disco programme flyer for seven consecutive Friday nights at 24 Shaftesbury Avenue, London W1, attributed at high confidence to 7 February–20 March 1992. The programme features Sasha, Andrew Weatherall, Alfredo, Justin Robertson and others, with Rosco & Eren named as main-room regulars and Seb Fontaine / Tommy D in the back room. The hand-drawn pin-up front is signed 'LISA G'.
Advertised programme: Residents / regulars: Rosco & Eren plus guests. 7 Feb: Sasha, Andy Weatherall, DJ Angie, P.A. by People Get Ready. 14 Feb: Kinky Valentines Ball — Alfredo, Jonathon Moore, P.A. Tyrell Corporation. 21 Feb: Marbo, Paul Wain. 28 Feb: Justin Robertson, Andy Weatherall. 6 Mar: Sasha, Fabio Paras. 13 Mar: Alfredo, Marbo. 20 Mar: Justin Robertson, Jonathon Moore. Back room: Seb Fontaine, Tommy D & guests.
Graphic-design significance: The front is unusually illustrative and fashion-oriented for the period: a hand-drawn pin-up figure posed against a red heart and roses with a teal 'Kinky Disco' banner. The artwork is signed 'LISA G'. Its tattoo / rockabilly / fashion-magazine visual vocabulary contrasts strongly with the psychedelic, cybernetic and rave-cartoon graphics elsewhere in TMR, making it useful evidence of London's more style-conscious club culture.
Historical context: Contemporary and later club histories remember Kinky Disco as one of the large London nights associated with the early progressive-house period. Sasha has recalled Kinky Disco among the London parties he was booked for as he established himself in the city, while club-culture retrospectives place Kinky Disco at Shaftesbury's and describe it as part of the same early-1990s network as Love Ranch, Flying and Boy's Own. A March 1992 Music Week item independently confirms Kinky Disco was active at precisely this time.
Production note: Full-colour illustrated front with dark blue single-colour/white typographic reverse on card stock; exact process and stock weight not established.
Condition note: Good appearance, ungraded. Noticeable age-related toning, scattered foxing/staining and handling marks on the illustrated front, with edge and corner wear. Reverse shows rubbing, small surface marks and a pronounced vertical crease/split-like handling line near the left side. All programme text remains fully legible and no large area of paper loss is visible.
Confidence / uncertainty: The programme dates, artist names, hours, prices and 24 Shaftesbury Avenue address are physically verified. The year 1992 is not printed and is therefore recorded as high-confidence from calendar alignment plus contemporary Music Week evidence. 'Shaftesbury's' is a specialist-supported venue name rather than printed object text. Printed spellings such as 'Jonathon Moore' and 'Fabio Paras' are retained exactly. The front artist signature reads 'LISA G', but no fuller identity is inferred.
Through the flyers
Explore the club-culture timeline to follow advertised dates, places and billed performers across the held flyers.
Event details are drawn from the held object and the qualified catalogue research above. A printed bill establishes an advertised booking, not confirmation that a performer appeared.
Why this object matters
Historical context
Contemporary and later club histories remember Kinky Disco as one of the large London nights associated with the early progressive-house period. Sasha has recalled Kinky Disco among the London parties he was booked for as he established himself in the city, while club-culture retrospectives place Kinky Disco at Shaftesbury's and describe it as part of the same early-1990s network as Love Ranch, Flying and Boy's Own. A March 1992 Music Week item independently confirms Kinky Disco was active at precisely this time.
Score and assessment method
Archive Importance: 9.6 / 10 · Gold Star.
This is a curatorial judgement, not a measurement accurate to one tenth or a market valuation. Read the explanation and its evidence limits together.
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