THE MATERIAL
RECORD
Boomerang — The Revival Dance
TMR-000664Club Culture & Ephemera
Club Culture & Ephemera ·

Boomerang — The Revival Dance

Maverick Promotions · Cloud 9, Vauxhall · strictly members only · jungle / drum & bass event

8 March 1996 · 10pm–6:30am

Double-sided flyer for Maverick Promotions in conjunction with Boomerang, presenting The Revival Dance at Cloud 9, Vauxhall, on 8 March 1996. The bill includes Randall, Kenny Ken, Micky Finn, Brockie and a substantial jungle/drum-and-bass supporting cast.

Read the catalogue note →
Event
Boomerang — The Revival Dance
Promoter
Maverick Promotions in conjunction with Boomerang
Venue
Cloud 9, 67–68 Albert Embankment, Vauxhall
Location
London
Advertised hours
10pm–6:30am
Format
double-sided printed event flyer
Condition
Good appearance from supplied photographs.
Completeness
Both printed sides photographed. No detachable element is visibly missing from the supplied evidence; physical completeness beyond the two-sided sheet is not independently established.
Event relationship
Boomerang — The Revival Dance · 1996-03-08
Venue relationship
Browse Cloud 9, 67–68 Albert Embankment, Vauxhall objects

Why this object matters →

Object record · TMR-000664

Catalogue note

Double-sided flyer for Maverick Promotions in conjunction with Boomerang, presenting The Revival Dance at Cloud 9, Vauxhall, on 8 March 1996. The bill includes Randall, Kenny Ken, Micky Finn, Brockie and a substantial jungle/drum-and-bass supporting cast. The reverse is unusually documentary: it sets out a manifesto for a 'strictly members only' rave intended to revive unity and music-first values, alongside a large regional ticket-outlet network, named agents, venue directions, membership form and production claims.

Advertised programme: Randall; Kenny Ken; Micky Finn; Brockie; Ronisize; Darren J; Nicky (Black Market); Flapjack; Master Vibe; Flare; Triga; Kids; KMC; MCs Det, GQ, Stevie Hyper D, Deman & Flinty (Raggatwins)

Historical context: The reverse frames Revival Dance as a deliberate attempt to restore unity and music-first values to a rave scene the promoters felt had become fragmented, while explicitly referencing Jungle, drum and bass and rave history.

Condition note: Strong colour and legibility. Visible handling creases and surface marks, with corner/edge wear and small local abrasions; no major loss affecting the event information is apparent in the supplied photographs.

Through the flyers

Explore the club-culture timeline to follow advertised dates, places and billed performers across the held flyers.

Event details are drawn from the held object and the qualified catalogue research above. A printed bill establishes an advertised booking, not confirmation that a performer appeared.

Why this object matters

The unity/revival argument and members-only system provide outstanding evidence of a promoter's response to perceived scene fragmentation. Compare with Elevation's more detailed Mayday critique and Advance Party's direct mobilisation: the Boomerang sheet is valuable rhetoric and infrastructure, without an equally strong demonstrated exceptional role.

Evidence limits: Both printed sides photographed. No detachable element is visibly missing from the supplied evidence; physical completeness beyond the two-sided sheet is not independently established.

Historical context

The reverse frames Revival Dance as a deliberate attempt to restore unity and music-first values to a rave scene the promoters felt had become fragmented, while explicitly referencing Jungle, drum and bass and rave history.

Score and assessment method

Archive Importance: 8.9 / 10.

This is a curatorial judgement, not a measurement accurate to one tenth or a market valuation. Read the explanation and its evidence limits together.

How Archive Importance is assessed →

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