The Face No. 92
December 1987 · Robert De Niro by Kees Tabak / image manipulation David Wood · Aretha Franklin / Carrie Fisher / Edwyn Collins / Juergen Teller
Original The Face No.92, December 1987, £1.20 UK, Robert De Niro cover 'De Niro Delivers — Exclusive Interview', photography by Kees Tabak and image manipulation by David Wood. The p.50 story is advertised as 'De Niro in Moscow', resonating with his independently documented 1987 chairmanship of the Moscow International Film Festival jury during glasnost.
Read the catalogue note →- Publication
- The Face
- Condition
- Good+ / Very Good− appearance, provisional from four photographed surfaces. Strong colour and legibility, light cover and edge handling.
- Completeness
- Assumed complete under standing TMR magazine policy unless owner says otherwise. Photographed cover, original Timberland rear ad, December 1987 contents/masthead p.3 and Kathryn Flett fashion reporting p.4. No full interior collation; no specific issued insert or supplement evidenced.
- Date
- December 1987 (original printed cover date)
Catalogue note
Original The Face No.92, December 1987, £1.20 UK, Robert De Niro cover 'De Niro Delivers — Exclusive Interview', photography by Kees Tabak and image manipulation by David Wood. The p.50 story is advertised as 'De Niro in Moscow', resonating with his independently documented 1987 chairmanship of the Moscow International Film Festival jury during glasnost. Elsewhere the original contents address Aretha Franklin's gospel return, 1987 novelist Carrie Fisher, Edwyn Collins' early solo work, Angela Winbush and 22 pages of designer fashion; noteworthy original fashion credits include Juergen Teller and Simon Foxton. The boldly processed De Niro cover and full-page Timberland boot rear advertisement preserve the magazine's 1987 graphic and commercial identity. The owner has provided 4 photographic views; no matching issue presently in the TMR catalogue.
Why this object matters
Score and assessment method
Archive Importance: 9.3 / 10 · Gold Star.
This is a curatorial judgement, not a measurement accurate to one tenth or a market valuation. Read the explanation and its evidence limits together.
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